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Giacomo podr\u00e1s admirar el magn\u00edfico Palacio Medolago Albani.<\/span><\/p>\n Perteneci\u00f3 a los <\/span>Condes Vailetti<\/strong>, concedido en 1695 por el duque de Parma Francesco Farnese, era originalmente un palacio de estilo del siglo XVI. \n Desde <\/span>punto de vista arquitect\u00f3nico<\/span>, el edificio tiene una planta en forma de C con el patio central orientado hacia el panorama de Citt\u00e0 Bassa. En el primer piso, o “piano nobile”, puedes visitar las Salas Verde, Roja y Azul, cuyos nombres derivan de sus respectivos tapices; la Sala de M\u00fasica, en la que resuenan las c\u00e1lidas notas de las interpretaciones musicales, y la Galer\u00eda Bonomini<\/strong>, decorada con finos frescos del artista bergamasco del mismo nombre. Otros artistas que decoraron los interiores del Palacio Medolago Albani sonLuigi Deleidi<\/strong>, conocido como “il Nebbia”, Filippo Comerio<\/strong> y Vincenzo Bonomini<\/strong>. <\/p>\n \n","indepth":"","howtogetthere":"","price":"","time":"","latitude":"45.701564","longitude":"9.663145","id_visit_manza":"3143","iu_motor_accessibility":"no","iu_visual_accessibility":"notsure","iu_auditory_accessibility":"notsure","iu_cognitive_accessibility":"notsure","iu_kids":false,"iu_shortprice":"","iu_addr_streetnumber":"","iu_addr_postalcode":"","iu_addr_city":"","iu_addr_province":"","iu_phone":"","iu_cell":"","iu_website":"","iu_email":"","iu_document_label":"","iu_document":false,"iu_timetable":false},"size":"full","featured_video":false,"is_an_ambassador":false,"filotto_sub":"","or_filter":false,"only_ambassadors":false,"max_elements":"0","show_total":false,"see_all":false,"order_by":"","order_way":"","filotto_fill_conditions":{"or_filter":false,"only_ambassadors":false,"max_elements":"0","show_total":false,"see_all":false,"custom_show_all_page":null,"order_by":"","order_way":""},"style":"","text":"","icon":{"button_icon":"none"},"function":"","target":"","target_modal":"","iu_document_label":"","modules":false},"_links":{"self":[{"href":"https:\/\/www.visitbergamo.net\/es\/wp-json\/wp\/v2\/oggetto\/19461","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.visitbergamo.net\/es\/wp-json\/wp\/v2\/oggetto"}],"about":[{"href":"https:\/\/www.visitbergamo.net\/es\/wp-json\/wp\/v2\/types\/oggetto"}],"author":[{"embeddable":true,"href":"https:\/\/www.visitbergamo.net\/es\/wp-json\/wp\/v2\/users\/505"}],"version-history":[{"count":0,"href":"https:\/\/www.visitbergamo.net\/es\/wp-json\/wp\/v2\/oggetto\/19461\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.visitbergamo.net\/es\/wp-json\/wp\/v2\/media\/4318"}],"wp:attachment":[{"href":"https:\/\/www.visitbergamo.net\/es\/wp-json\/wp\/v2\/media?parent=19461"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.visitbergamo.net\/es\/wp-json\/wp\/v2\/categories?post=19461"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.visitbergamo.net\/es\/wp-json\/wp\/v2\/tags?post=19461"},{"taxonomy":"aggr","embeddable":true,"href":"https:\/\/www.visitbergamo.net\/es\/wp-json\/wp\/v2\/aggr?post=19461"},{"taxonomy":"area","embeddable":true,"href":"https:\/\/www.visitbergamo.net\/es\/wp-json\/wp\/v2\/area?post=19461"},{"taxonomy":"kind","embeddable":true,"href":"https:\/\/www.visitbergamo.net\/es\/wp-json\/wp\/v2\/kind?post=19461"},{"taxonomy":"zona","embeddable":true,"href":"https:\/\/www.visitbergamo.net\/es\/wp-json\/wp\/v2\/zona?post=19461"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nEl \u00faltimo de los Vailetti, Luigi, decidi\u00f3 arrasar la mansi\u00f3n para erigir una completamente nueva.
\nEl proyecto se encarg\u00f3 en 1770 a <\/span>Simone Cantoni<\/strong>, <\/span> arquitecto de origen tesin\u00e9s que tambi\u00e9n dise\u00f1\u00f3 Villa Olmo en Como.
\nTras superar no pocas dificultades creadas, entre otras cosas, por el acusado desnivel del terreno, el resultado fue finalmente un espl\u00e9ndido ejemplo de palacio neocl\u00e1sico.
<\/span>El edificio sali\u00f3 a la venta a la muerte de Luigi y fue adquirido en 1835 por el Ayuntamiento de B\u00e9rgamo para convertirlo en sede del Liceo Cl\u00e1sico Sarpi.
\nComo las salas no pudieron adaptarse satisfactoriamente a la nueva funci\u00f3n, el Ayuntamiento lo vendi\u00f3 seis a\u00f1os m\u00e1s tarde al conde Giacomo Medolago Albani<\/strong>.
\nLa mansi\u00f3n fue transformada y embellecida por los nuevos propietarios, convirti\u00e9ndose en una de las m\u00e1s elegantes de la ciudad y siendo testigo de importantes acontecimientos hist\u00f3ricos y culturales.
\nEntre ellos, gracias a su funci\u00f3n de palacio de representaci\u00f3n, la visita a B\u00e9rgamo de Isabel de Baviera<\/strong> junto con su emperador<\/strong> consorte austriaco Francisco Jos\u00e9<\/strong> en 1857 y, dos a\u00f1os m\u00e1s tarde, el encuentro entre Giuseppe Garibaldi y V\u00edctor Manuel II.<\/strong> <\/p>\n
\nTodos los alzados, salvo el de la calle S. Giacomo, tienen un alto s\u00f3tano r\u00fastico: un h\u00e1bil truco empleado por Cantoni para reducir el impacto visual de la diferencia de altura, casi hasta ocultarla, gracias a que las columnas bicolores y semicolumnas de la fachada atraen la mirada del espectador, gui\u00e1ndolo hacia arriba.
<\/span>Sobre las ventanas del piano nobile hay cinco medallones en bajorrelieve con escenas de la Gerusalemme liberata<\/em> de Torquato Tasso, realizados por Giovanni Maria Benzoni<\/strong> en 1848.
\nLa balaustrada sobre la cornisa est\u00e1 adornada con estatuas y un reloj del escultor Antonio Gelpi<\/strong>.
\nTambi\u00e9n en perfecto estilo neocl\u00e1sico, la escalera que sube interiormente al primer piso es sim\u00e9trica, con dos tramos.<\/p>\n
\nEl \u00faltimo de los Vailetti, Luigi, decidi\u00f3 arrasar la mansi\u00f3n para erigir una completamente nueva.
\nEl proyecto se encarg\u00f3 en 1770 a <\/span>Simone Cantoni<\/strong>, <\/span> arquitecto de origen tesin\u00e9s que tambi\u00e9n dise\u00f1\u00f3 Villa Olmo en Como.
\nTras superar no pocas dificultades creadas, entre otras cosas, por el acusado desnivel del terreno, el resultado fue finalmente un espl\u00e9ndido ejemplo de palacio neocl\u00e1sico.
<\/span>El edificio sali\u00f3 a la venta a la muerte de Luigi y fue adquirido en 1835 por el Ayuntamiento de B\u00e9rgamo para convertirlo en sede del Liceo Cl\u00e1sico Sarpi.
\nComo las salas no pudieron adaptarse satisfactoriamente a la nueva funci\u00f3n, el Ayuntamiento lo vendi\u00f3 seis a\u00f1os m\u00e1s tarde al conde Giacomo Medolago Albani<\/strong>.
\nLa mansi\u00f3n fue transformada y embellecida por los nuevos propietarios, convirti\u00e9ndose en una de las m\u00e1s elegantes de la ciudad y siendo testigo de importantes acontecimientos hist\u00f3ricos y culturales.
\nEntre ellos, gracias a su funci\u00f3n de palacio de representaci\u00f3n, la visita a B\u00e9rgamo de Isabel de Baviera<\/strong> junto con su emperador<\/strong> consorte austriaco Francisco Jos\u00e9<\/strong> en 1857 y, dos a\u00f1os m\u00e1s tarde, el encuentro entre Giuseppe Garibaldi y V\u00edctor Manuel II.<\/strong> <\/p>\n
\nTodos los alzados, salvo el de la calle S. Giacomo, tienen un alto s\u00f3tano r\u00fastico: un h\u00e1bil truco empleado por Cantoni para reducir el impacto visual de la diferencia de altura, casi hasta ocultarla, gracias a que las columnas bicolores y semicolumnas de la fachada atraen la mirada del espectador, gui\u00e1ndolo hacia arriba.
<\/span>Sobre las ventanas del piano nobile hay cinco medallones en bajorrelieve con escenas de la Gerusalemme liberata<\/em> de Torquato Tasso, realizados por Giovanni Maria Benzoni<\/strong> en 1848.
\nLa balaustrada sobre la cornisa est\u00e1 adornada con estatuas y un reloj del escultor Antonio Gelpi<\/strong>.
\nTambi\u00e9n en perfecto estilo neocl\u00e1sico, la escalera que sube interiormente al primer piso es sim\u00e9trica, con dos tramos.<\/p>\n