Desde 1904, la tienda del herrero representa alta calidad y tradici\u00f3n
\n\u00a0<\/p>\n","slides":[{"image":{"ID":109206,"id":109206,"title":"5c1d4172981df50be53506b20d730e55_00d829c1.jpg","filename":"5c1d4172981df50be53506b20d730e55_00d829c1.jpg","filesize":249098,"url":"https:\/\/www.visitbergamo.net\/wp-content\/uploads\/2024\/11\/5c1d4172981df50be53506b20d730e55_00d829c1.jpg","link":"https:\/\/www.visitbergamo.net\/es\/oggetto\/tienda-artesanal-del-hierro\/5c1d4172981df50be53506b20d730e55_00d829c1-jpg-2\/","alt":"","author":"0","description":"","caption":"","name":"5c1d4172981df50be53506b20d730e55_00d829c1-jpg-2","status":"inherit","uploaded_to":109205,"date":"2024-11-29 10:34:26","modified":"2025-06-24 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En Piazza Mercato del Fieno, Citt\u00e0 Alta, la familia Scuri lleva cuatro generaciones manejando la tienda Bottega del Fabbro. <\/span><\/p>\n
<\/p>\n \u00a0<\/p>\n
<\/p>\n La tienda del herrero (\u201cbottega del fabbro\u201d en italiano) tiene m\u00e1s de un siglo de historia. Durante los a\u00f1os ha realizado cada tipo de obra en hierro: decorado, barreras, verjas, letreros, obras para la seguridad. Para realizar obras de alta calidad, el herrero utiliza con habilidad los antiguos m\u00e9todos de producci\u00f3n junto con las \u00faltimas tecnolog\u00edas. \u00a0<\/span><\/p>\n
<\/p>\n \u00a0<\/span><\/span><\/p>\n
<\/p>\n Adem\u00e1s, la Bottega del Fabbro reacondiciona viviendas, palacios antiguos, iglesias y monumentos. \u00a0<\/span><\/p>\n
<\/p>\n A partir del a\u00f1o 2012 se ha registrado en el Registro Nacional de Negocios Hist\u00f3ricos. \u00a0<\/span><\/p>\n
<\/p>\n En compa\u00f1\u00eda de la asociaci\u00f3n Distretto Urbano del Commercio hemos encontrado a Raffaele, el due\u00f1o, que nos ha contado su historia. <\/span><\/p>\n
<\/p>\n \u00a0<\/span><\/span><\/p>\n
<\/p>\n \u201cLa Bottega del Fabbro de Raffaele Scuri, en la ciudad vieja de B\u00e9rgamo, es un lugar de otro tiempo. Nada m\u00e1s entrar se percibe una atm\u00f3sfera \u00fanica: caballeros y espadas, damas, viviendas refinadas. Parece que improviso pueda entrar un palafrenero, o el guardi\u00e1n de un tesoro escondido, con llaves pesadas y cerrojos de arreglar. <\/span><\/p>\n
<\/p>\n \u00a0<\/span><\/span><\/p>\n
<\/p>\n En realidad entran parejas de turistas intrigados con este arte antiguo, junto con muchos personajes conocidos de Citt\u00e0 Alta que pasan cada d\u00eda para tomar un caf\u00e9, charlar sobre la noticia del d\u00eda, y sobre todo para mirar. <\/span><\/p>\n
<\/p>\n \u00a0<\/span><\/span><\/p>\n
<\/p>\n S\u00ec, esistono gli umarell da bottega!<\/span><\/p>\n
<\/p>\n \u00a0<\/span><\/span><\/p>\n
<\/p>\n El herrero Raffaele Scuri nos espera con los brazos cruzados, como para no dejar escapar la energ\u00eda que le va a necesitar para trabajar: lleva chaqueta y vaqueros, pero podr\u00eda llevar ropa de una \u00e9poca pasada con la misma naturalidad. <\/span><\/p>\n
<\/p>\n El suyo parece un lugar de belleza eterna, donde el arte, la artesan\u00eda, la f\u00edsica y la sensibilidad humana se unen tomando la forma \u00fanica e irrepetible de un objeto de hierro forjado: una cabecera, la verja de un palacio, la l\u00e1mpara de un museo. <\/span><\/p>\n
<\/p>\n \u00a0<\/p>\n
<\/p>\n Desde hacia el siglo pasado (el primer taller se remonta al a\u00f1o 1904), aqu\u00ed han trabajado cuatro generaciones de artesanos, que con martillo, sudor y pasi\u00f3n supieron acompa\u00f1ar la vida nueva de parejas j\u00f3venes decorando su propia casa, so\u00f1andola hermosa y fuerte tal como su amor. <\/span><\/p>\n
<\/p>\n \u00a0<\/span><\/span><\/p>\n
<\/p>\n \u201cPor desgracia, ya no es c\u00f3mo en el pasado – nos dice con indiferencia aparente – ya no se practica lo que es \u201cpara siempre\u201d: no existe la vivienda de una vida, ni tampoco el amor. La gente se muda, cambia de ciudad, de Pa\u00eds y no construye nada para el futuro. Nuestra profesi\u00f3n ha cambiado, pero no por culpa de la industria, de los grandes almacenes, de los descuentos, sino por los seres humanos y su tendencia a vivir aqu\u00ed y ahora – d\u00f3nde las inversiones, sobre todo las que conciernen las relaciones humanas – son cada vez m\u00e1s fr\u00e1giles y ef\u00edmeras. <\/span><\/p>\n
<\/p>\n \u00a0<\/span><\/span><\/p>\n
<\/p>\n Las palabras de Raffaele mezclan dureza y melancol\u00eda, una especie de resignaci\u00f3n angustiosa que ya no deja espacio por la maravilla. Pero el fuego va a devolv\u00e9rsela un momento despu\u00e9s. <\/span><\/p>\n
<\/p>\n \u00a0<\/p>\n
<\/p>\n El herrero de Citt\u00e0 Alta se quita la chaqueta, reanima el fuego con decisi\u00f3n e inmerge una larga barra de hierro. Nos quedamos inm\u00f3viles, con miedo a molestarle. Son suficientes seis golpes de martillo, el ritmo de sus brazos expertos, la sencillez aparente de un gesto aprendido mirando, fallando, intentando otra vez, para ver el nacimiento del bucle perfecto y distinto de todos los dem\u00e1s de la barandilla de una terraza. <\/span><\/p>\n
<\/p>\n \u00a0<\/span><\/span><\/p>\n
<\/p>\n Solamente ahora \u00e9l sonr\u00ede, con satisfacci\u00f3n: \u201cla parte m\u00e1s interesante de este trabajo es encontrar el camino para realizar algo que parec\u00eda imposible\u201d.<\/span><\/p>\n
<\/p>\n No se trata solamente de utilizar las manos y las herramientas: hace falta reflexi\u00f3n, tener tenacidad y el sentido de la belleza. \u00a0<\/span><\/p>\n
<\/p>\n \u00a0<\/p>\n
<\/p>\n Hace falta lo que la poeta Alda Merini llamaba \u201cla mirada po\u00e9tica\u201d, es decir la actitud extraordinaria de sacar la poes\u00eda de un objeto inanimado. <\/span><\/p>\n
<\/p>\n \u00a0<\/span><\/span><\/p>\n
<\/p>\n \u00bfAcaso alguien sepa si se puede ense\u00f1arlo? \u00bfAcaso alguien tenga ganas de aprenderlo todav\u00eda? <\/span><\/p>\n
<\/p>\n \u00a0<\/span><\/span><\/p>\n
<\/p>\n Aparte de esto, Raffaele es hijo de otro herrero: su padre Pietro sucedi\u00f3 a su abuelo en los a\u00f1os Sesenta, aportando alguna innovaci\u00f3n t\u00e9cnica y maquinarias nuevas, adem\u00e1s de la poes\u00eda, sobre todo. <\/span><\/p>\n
<\/p>\n \u00a0<\/span><\/span><\/p>\n
<\/p>\n De hecho, <\/span>Pietro Fr\u00e9r <\/span>es la firma de un poeta dialectal que supo cantar sobre la vida dura del herrero. <\/span><\/p>\n
<\/p>\n \u00a0<\/p>\n
<\/p>\n \u201cA l\u2019 m\u00f6r e l\u2019 f\u00e0 s\u00e8nder urm\u00e0i ch\u00e8l carb\u00f9<\/span><\/p>\n
<\/p>\n a l\u2019 s\u00e8ra b\u00fctiga, l\u2019\u00e8 str\u00e0ch p\u00f2 a \u2018l fr\u00e9r,<\/span><\/p>\n
<\/p>\n ma d\u00e9t a chi \u00f6cc a s\u2019ved la passi\u00f9<\/span><\/p>\n
<\/p>\n ins\u00e8ma al piass\u00e9r d\u2019 \u00ec facc ol do\u00e9r;<\/span><\/p>\n
<\/p>\n in m\u00e8s al s\u00f2 m\u00f3nd e a ch\u00e8la armonia,<\/span><\/p>\n
<\/p>\n a l\u2019 canta pi\u00f6 ont\u00e9ra la s\u00f2 poesia.<\/span><\/p>\n
<\/p>\n (<\/span>poesia de Piero Fr\u00e9r del libro \u201cPiero Fr\u00e9r poesie\u201d)<\/span><\/p>\n
<\/p>\n Llevarse a casa un objeto realizado en el taller de Raffaele Scuri es un gesto de fe: en la belleza, en el trabajo, en el futuro y en la poes\u00eda.\u201d <\/span><\/p>\n
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