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Its surface is an impossible landscape, made up of canyons kilometers deep, faults that end without warning, and regions that seem to have been pieced together by different hands. Astronomers describe it as a \u201creassembled\u201d body: fragments of distinct worlds, held together by a fragile and visible balance.<br \/>Miranda is also the name of Performatorio\u2019s new satellite project, developed for the Donizetti Studio in collaboration with the Donizetti Foundation: a space dedicated to emerging artists, where different languages and practices come together without merging, maintaining their identity as fragments.<br \/>Like its namesake moon, Miranda does not seek unity but coexistence: a rugged terrain where each artist brings their own surface. A satellite that orbits alongside Performatorio, sharing its course but charting an autonomous trajectory.<br \/>Dedicated to those who are still defining their own form.   <\/p>\n<p><strong>Nicola Fornoni &#8211; The Beginning Weight<br \/><\/strong>In *The Beginning Weight*, Nicola Fornoni presents the body as a point of contact and resistance. Twelve iron spheres\u2014magnets\u2014traverse the space between the artist\u2019s hands: attracted, repelled, and rolled according to a mechanics that eludes full control.<br \/>The work is the heavy counterpart to a previous piece by Fornoni, *The Beginning Light*, which was instead built on the lightness of goose feathers. 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